Would you use a 13-inch tablet for Professional Work?

General / 25 February 2025


Huion Kamvas 13 Gen 3 Review – Can It Handle 3D Sculpting?

When it comes to choosing a display tablet for 3D work, size, resolution, and pen performance all play a huge role. So when I got my hands on the Huion Kamvas 13 Gen 3, I had one big question: Can a budget-friendly, 13-inch tablet handle serious 3D sculpting and texturing?

To find out, I put it through its paces in ZBrush, sculpting Warwick from Arcane. Here’s what worked, what didn’t, and whether this tablet is a good choice for 3D artists.

First Impressions – Compact, Well-Built, and Matte Screen Goodness

Right out of the box, the Kamvas 13 Gen 3 feels well-built for its price. It’s lightweight and compact, making it super portable. The 13.3-inch display runs at 1920x1080 resolution, which is standard for entry-level tablets. It’s also noticeably more vibrant than older models, covering 99% of the sRGB and Rec.709 color gamuts—a plus for anyone doing texture work.

One of the first things I noticed was the matte screen texture. Huion calls this their Canvas Glass technology, and it’s designed to reduce glare and provide a more paper-like feel. I was pleasantly surprised by how nice it felt—just the right amount of friction for a natural drawing experience. I didn’t even need to wear the usual drawing glove.

Setup was easy, too. Calibration was quick, and like most display tablets, you can set up custom profiles for different software, which is useful when switching between sculpting, texturing, and painting.

Sculpting Test – How Does It Handle in ZBrush?

For this test, I sculpted Warwick from Arcane, which meant a lot of fine detailing—fur, scars, and mechanical elements. Here’s where things got interesting.

Pen Performance – Surprisingly Good

Huion’s latest PenTech 4.0 technology delivers a battery-free pen with three customizable side buttons and a dust-proof grip. It felt smooth, precise, and responsive, with no noticeable lag. Pressure sensitivity worked well, especially for organic sculpting. Compared to my Xencelabs pen, I actually liked the extra third button—it’s small, but having one more shortcut is always helpful.

Screen Resolution – 1080p Feels Tight for Sculpting

This is where I ran into some issues. 1920x1080 on a 13-inch screen sounds fine on paper, but in reality, I found myself constantly zooming in and out to see details properly. For sculpting in ZBrush, especially when working on fine textures, I really missed having 4K resolution. If you’re used to working on a higher-res screen, this will be noticeable.

Tablet Size – A Bit Cramped for 3D Work

The 13.3-inch display might work well for 2D artists, but for sculpting, it felt too small. I had to constantly adjust my workspace to see everything clearly, which slowed down my workflow. If this tablet were touchscreen, I could justify the smaller size, but without that feature, it’s just not ideal for sculpting.

Shortcuts and Dial Controllers – Not Enough for 3D

The Kamvas 13 comes with two dial controllers and five press keys, all customizable. These work great for 2D workflows, but for 3D? Not as much. As a sculptor, I rely on a ton of shortcuts, and five buttons just aren’t enough. I ended up ignoring them and sticking with my keyboard instead.

The radial menu built into the pen is a nice feature—it gives you six quick shortcuts—but I found it a bit limited. Ideally, it would allow for more than six commands and let you rename them instead of just assigning shortcuts.

Final Verdict – Who Is This Tablet For?

The Huion Kamvas 13 Gen 3 is a solid display tablet, but is it good for 3D artists? Here’s the breakdown:

Who Should Consider It?

✅ Beginners on a budget – If you’re just starting with digital sculpting and need an affordable tablet, this is a great option.✅ Artists who need a portable setup – If you travel or work on the go, the compact size is a plus.✅ 2D artists and texture painters – The vibrant colors and matte screen make it a strong choice for 2D work and texture painting.

Who Should Look Elsewhere?

❌ Serious 3D artists – The 1080p resolution and small screen make detailed sculpting harder. If you work with high-res assets, consider a larger or 4K display.❌ Artists who need a touchscreen – If you like to rotate, pinch, and zoom directly on the screen, this isn’t the tablet for you.❌ Shortcut-heavy workflows – The limited buttons and radial menu aren’t enough for complex 3D workflows.

Final Thoughts

At $250, the Huion Kamvas 13 Gen 3 is a good entry-level option for digital artists, especially for 2D work and texture painting. However, for 3D sculpting, the low resolution, small size, and lack of touchscreen make it a bit frustrating.

Would I use this as my daily 3D sculpting tablet? No. But if you’re a beginner, working on a budget, or need a portable second screen for sculpting and texturing on the go, it could be a worthwhile option.

Let me know—would you use a 13-inch tablet for 3D work? Or do you need a bigger screen to stay productive?

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Creating Realistic Skin in ZBrush: A Detailed Guide

General / 27 August 2024

When it comes to bringing 3D characters to life, nothing captures the viewer’s attention quite like realistic skin. Achieving that lifelike texture and detail is a blend of art and technical skill, especially in a tool as powerful as ZBrush. In this article, I’ll walk you through my process of creating realistic skin for 3D characters, offering tips, techniques, and insights I’ve picked up along the way — valuable knowledge I also share with in ArtHeroes 3D Academy to help the students to refine their own craft.

“Work smarter, not harder — when sculpting details in ZBrush, it’s not about how many hours you spend, but how effectively you use each moment to enhance your model’s realism.”

For even more detailed information and a step-by-step walkthrough of the techniques discussed in this article, be sure to check out my YouTube video. In the video, I dive deeper into each process, offering visual demonstrations and additional tips to help you master realistic skin creation in ZBrush. You can watch it [this video]

(https://www.youtube.com/@mrnunez3D)

#### Step 1: Start with the Basics — Laying the Foundation

Before diving into the intricate details, it’s essential to get the foundational shapes and forms right. Begin by focusing on the soft, underlying forms of the face and body. This is where you establish the overall structure, ensuring that the character’s anatomy is believable.

Using the standard and smooth brushes in ZBrush, work on defining the major planes of the face, paying close attention to bone structure and muscle placement. This step is crucial, as it sets the stage for the finer details that will come later. It’s tempting to jump straight into the high-frequency details, but without a solid foundation, even the most detailed skin will look off.

#### Step 2: Introducing Surface Noise — Adding Realism

Once you’ve established the basic forms, it’s time to add some surface noise to break up the smoothness. This step is key to making the skin look more realistic. In ZBrush, the Surface Noise feature allows you to apply a variety of textures, from subtle pores to more pronounced wrinkles.

By tweaking the noise parameters, you can fine-tune the intensity to match the look you’re going for. Whether you want the skin to be slightly rough or smooth, adjusting the scale and strength of the noise will help you get there. It’s a powerful way to ensure that the skin doesn’t appear too flat or too exaggerated.

#### Step 3: Applying Texturing XYZ Maps — The Game-Changer

To take your detailing to the next level, you can utilize Texturing XYZ maps. These maps are high-resolution skin textures that capture the intricate details of real human skin, including pores, wrinkles, and fine lines. By overlaying these maps onto your model, you can achieve a level of realism that’s difficult to achieve manually.

“Texturing XYZ maps can really speed up your workflow, letting you add those fine skin details quickly and with more precision.”

In ZBrush, you can apply these maps as displacement maps, allowing the fine details to be embedded directly into your model’s geometry. This step brings out the finest details and makes your character’s skin look incredibly lifelike.

#### Step 4: Fine-Tuning the Details — Controlling Sharpness and Intensity

Now that you’ve laid down the basics and added surface details, it’s time to fine-tune. Controlling the sharpness of the details is crucial. By adjusting the values in ZBrush, you can ensure that the details are neither too overpowering nor too subtle.

For more control, you can mask out specific areas of the face, allowing you to apply different levels of detail to different regions. This technique is especially useful when working on areas like the lips, eyes, and forehead, where the skin texture varies greatly.

“Take your time to explore your references — understanding skin landmarks and asymmetry is the key to crafting truly lifelike 3D characters.”

#### Step 5: Final Touches — Custom Brushes and Patience

As you move towards the finishing stages, don’t hesitate to create and use custom brushes for specific details. Whether it’s a brush that mimics the look of fine pores or one that adds subtle bumps, custom brushes can save you time and give you more control over the final result.

However, the key to achieving realistic skin lies not just in the tools but in your approach. Patience is essential. Great art doesn’t happen overnight, and every tiny pore, wrinkle, and subtle bump takes time to perfect. It’s these small details that make your character feel real and full of life.

#### Conclusion: The Art of Patience and Persistence

Creating realistic skin in ZBrush is as much about technical skill as it is about persistence. It’s a process that requires time, attention to detail, and a lot of patience. But the reward is a character that looks believable and alive.

If you ever feel overwhelmed, remember that there’s always a smarter, more efficient way to get those details right. Tools like XYZ maps can save you hours of manual work, letting you focus on what really matters — bringing your vision to life.

So, keep sculpting, keep practicing, and most importantly, stay patient. The journey is part of the fun, and every hour you put in will make your final result that much more rewarding. Enjoy the process, and happy sculpting!

Stay Connected

If you found this guide helpful and want to see more of my work or follow along with my latest projects, you can connect with me on social media:

For more discussions, tips, and to connect with other artists, feel free to join the ArtHeroes Discord group. It’s a great community for anyone passionate about 3D art and character creation.

Thanks for reading, and happy sculpting!



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CatGirl Art Challenge

General / 17 May 2024

🚨#MrnunezChallenge ✅ CatGirls and CatBoys ദ്ദി(• ˕ •マ.ᐟ May 20th-June2nd

I would like to announce the incoming MrNunez/XPPen challenge! All the exciting details and prizes will be revealed next Monday!

https://subscribepage.io/mrnunezchallenge

🔴Tune in LIVE on YouTube next May 20th for the big kickoff! 🔥

https://www.youtube.com/watch?v=nKRWYHGl7K8

🎁 Don't miss out!

This is a great chance to join in the fun and showcase your unique style

Thanks to to the original concept Artist @ztiromart !

#catgirl I sculpted with the @XPPen Artist 15.6 Pro tablet.
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Why did I chage my Wacom Tablet ?

General / 03 April 2024

 

2 months ago I had my very last Wacom Driver issue: Driver not found. Im sure you know what I am talking about!

So I decided to jump into the market on the search of a new Drawing tablet. My requests:

- Reliable

- good price

- Pen sensitivity

I've been working with the nw XenceLabs tablet for the last 2 months and I am very suprised with the results. Here you can find my personal review on this tablet. Hope you enjoy it!

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Sculpting scales inside Zbrush

General / 23 February 2024

Decided to release my Lizard reptile Alpha pack for Zbrush for free, along with a tutorial on how to use it. This is from a project I did a while ago for National Geographic ad, where I had to sculpt all the high frequency detail. Hope you guys find it useful!


Base model was created by the master Rafa Zabala


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Ruby Rohd UE5

General / 11 April 2023

Moving forward with #digiRuby inside Epic Games UE5

More shots and progress: https://www.instagram.com/mrnunez/

For anyone interested: if you have weird normals on the mesh, you need to recompute normal tangents on the skeletal mesh after import. This took me a while to figure out to be honest 😂. This also helped to solve groom bindings and now the hair work as expected .

#ue5 #epicgames #digitalhumans #realtimerendering #3dart



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ArtHeroes Likeness Program

General / 28 January 2021

ArtHeroes Likeness Program:https://artheroes.co/likeness-program

Realtime Jordan I created for the Likeness Program at ArtHeroes. The intention with this project is to display all the process in building any likeness from 0. The course covers all the face anatomy landmarks you need to know, the full process as long with the LookDev breakdown ;)




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Aquaman skin, hair and likeness update

General / 25 May 2020

kin and eye divergence update, so subtle! what do you think ? Also implemented peach fuzz 🍑 and improved all Xgen descriptions
Implemented the XYZ micro displacement into the shader to enhance the porosity, also made a second pass on the skin texture. The more I work the skin albedo the more I think I should have use zbrush from the beginning for the polypaint.....doing this type of job in MARI is a pain in the butt. Anyway slightly better now.

Placeholders for all the remain elements, I just need to find time to finish them....lately workload is killing me :) I hope you guys like the progress and let me know what do you think? 


man


  

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Aquaman - Xgen Hair WIP

General / 01 April 2020

Hair wip from the Aquaman portrait I am working on. You can see the hair, beard and eyebrows workflow on my Instagram

https://www.instagram.com/mrnunez/




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